Third part of Ruy Guerra's trilogy initiated in "Os Fuzis" (1964) and "A Queda" (1978).

In a hospital that struggles not to close its doors, two children discover their first love.

The documentary is an investigation into the life of Mario Wallace Simosen, a man who commanded conglomerates of several companies and was threatened during the Military Dictatorship, when his rights were revoked.

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The art of memory is a classic technique that associates images with places through a process of remembrance and meaning. From the memory of places and their context, the documentary delves into the creative process of three contemporary visual artists: Daniel Blaufuks, Pedro Bastos and José Rufino. Despite the different expression approaches of each author, we find points of communication in the way memory operates in their works. By rummaging through the hazards and disorder, we arrive at the director's personal mythology, assuming that memory is a fiction like any film.

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Taxi driver Oswaldir (Stepan Nercessian) entertains his passengers with stories from his daily work. In the special, the taxi driver tells several cases to a passenger (Luiz Gustavo), such as the story of the manicurist Ivonete (Rita Guedes), a woman so stunning that she was called to be Miss Irajá and pose for the cover of a magazine. Despite all the praise she received, she didn't have a boyfriend. Until Haroldão (Ernesto Piccolo) appeared. He won her over with a beautiful line, but soon let her down.

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Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.

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